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Restless thoughts. 17 May 2012

Posted by Kāmya in Thoughts.
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2 comments

Chosen. In my culture, the word carries connotations of the shining extraordinary, of being carefully selected. Perhaps it has root in Christian tradition; a saint or mystic is chosen by God as messenger or revealer, others are not. Yet when God is revealed in a pantheon, it is common to all, to be chosen by some spirit, guardian, god-form – all are named, claimed, protected. To be chosen is bare reality.

One purpose of initiation rites in many faiths is to reveal that form, that Name: the Immortal comes to claim the mortal, or to confirm what has already been glimpsed. In other groups, worship is passed down by family or community, so that one is born into the culture of one’s God. (Of course, there is always “error” possible. Those like me, who leave their family’s and community’s choices to worship elsewhere. Those who are “diagnosed” incorrectly in initiation, or who begin with a God-form that does not remain with them.)

In drifting to my path from very different origins, I have sometimes wondered: Without community, family, or other guidance, what makes that choice? Some are drawn to fill their own hollows; the repressed person embraces the ecstatic Divine, the ill one adores the compassion of the Healer, or the child distant from family delights in the loving Parent. Others are joined like to like. The career military officer wears the sign of the Warrior, the shy homebody worships at the warming Hearth, the brilliant seeker honours the Sage.

What am I, to Indra, alike in nature or opposite? And who has chosen whom?

I like to think all such relationships are by mutual choice: the soul shaped to love its shaper.
And such a master craftsman, that the human spirit is like enough to recognise the Divine and different enough to long for it…

Current Music: Ancient Egyptian Meditation Music, which is beautiful.

A book commendation. 17 May 2012

Posted by Kāmya in Poetry, Worship.
Tags: , , , , ,
6 comments

I can’t really re-commend a book that I’ve never commended in the first place, hmmm? So here is some expansive, effusive commendation for my current reading, and some LONG BLOCKS OF QUOTATION that will allow you all to share in the fun.

First, though, I’d like to introduce everyone to my new font. Everybody, this is Fertigo Pro. Fertie, meet the gang! Fertie comes to my blog with an odd resemblance to my own handwriting, and will hopefully express my thoughts legibly, without causing undue eyestrain from the globs of poorly-differentiated text that comprise my typical blog post.
I’m really excited to have a typeface that doesn’t cause my eyes to bleed, and though Fertie has a little trouble displaying transliterated Sanskrit words, he still handles IAST a heck of a lot better than Skolar.

Now, on to actual substance!

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Indra: Apollon, Dionysos, Zeus. 01 May 2012

Posted by Kāmya in Attributes, History, Thoughts.
Tags: , ,
11 comments

I love it when people ask me things that turn into posts. I adore not having to come up with my own ideas. COMMENTS YES PLEASE.

The creative spark/comment/question from a few days ago: “Out of curiosity what association do you make of Apollon and Dionysos with Indra? I know that I personally associate Apollon with Shiva (and I know others associate him with Dionysos, though I tend to associate Dionysos with Ganesh). So I am interested in your take on this, and why not Zeus?”

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Because it’s Beltane. 01 May 2012

Posted by Kāmya in Poetry.
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2 comments

Poem beneath the cut. Written by Anne Lynch Botta, published in 1848.
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Ghosts and relics. 30 Apr 2012

Posted by Kāmya in History, Tidbits.
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2 comments

In linguistics, a “ghost word” is a word that comes into being not through an organic process, but simply because of a mistake – often an error in translation or transcription that becomes accepted as fact. These phantoms cause no end of linguistic malarchy, as scholars try to follow the retreating shadow to its origin.

In a shockingly interesting article from 1985 – which the Journal of the American Oriental Society apparently published in a quiet revolt against its usual policy of printing only the dustiest scholastic prose – Hartmut Scharfe* of UCLA argues convincingly for the existence of a ghost word dating from Vedic times: Sanskrit rāj/rāja/rājan, often translated as chieftain, ruler, or king.

Scharfe** gives us the head-smacking-duh-OH-YEAH! reminder that “hierarchical order is conspicuously absent from the Vedic pantheon” – which is a common sense reason to reject king as the best possible rendering of rāja – and then explains how the word is used for several Devas in turn, always when each is at the height of power and achievement. Indra is rājan in killing Vṛtra; Agni, beguiling darkness, rises high as rājan. And so forth. A better translation of the word, he suggests, is “the one of power and charisma,” or perhaps “the one who supremely protects.” I might carry it a step further and, personally, translate rājan as the one absorbed in defiant action, or the ever-active for the universal benefit.

The point is, the word later came to signify one who was worthy to rule by virtue of benevolent force. But in Vedic times it did not signify any sense of dominion.

This is one of the many reasons that I’ve never liked the name Devarāja, for Indra.

*This name alone is a brilliant example of syllablistic serendipity. Really, the boy only had two possible career choices, based on nomenclature: Hartmut Scharfe the university linguist, or Hartmut Scharfe the Olympic fencing champion.
**I think this should be a verb signifying “to expose unfounded statements as silly,” as in, “Rita said that the Transformers movie was a game-changing Hollywood masterpiece – and Juan just ranted about everything wrong with that for, like, twenty minutes! Man, he totally scharfed on that!”
===

Returning briefly to my meandering ramblings from yesterday: I wish that Western culture would take the same interest in the Vedics as in the ancient Egyptians. I’d love to see a film or project of Stargate‘s calibre, or museum displays on par with the wonder-inspiring traveling exhibition of Tutankhamun’s death relics.

But we want to feel the past intimately present. People buy antiquities, not for the pleasure of owning run-down things, but to finger a string of faience beads that once hung from a woman’s neck thousands of years ago, or to see their reflections in peculiar, pitted bronze surfaces that once showed faces so remote. We want to trace the same fissures and folds of metal and marble that an ancient sculptor’s hands once shaped, and touch crumbling pages while feeling anew the wonder of illiteracy, or at least imagine that we could, while slyly eyeing these relics through glass cases. But so much of the material from Mohenjo-Daro and Harappa are either simple living items – pots, pitchers, nothing otherworldly dazzling or intriguingly exotic – or else, they are objects and inscriptions so foreign that their meaning seems lost before the effort of understanding even begins.

No, the greatest legacy of the Sarasvatī River civilisation is aural, not visual or tactile – and Vedic chanting rates a Not So Much on the scale of Hollywood marketability.
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Returning to Stargate for one moment, with a curious tie-in to the idea of “words established by mistakes”:
After reading the pretty-bad-novel-version of Stargate, I finally know what Daniel and that meddling academic type were squabbling about at his lecture. I always wondered why the academics were heckling him for no real reason.
It turns out that their argument was based upon a real debate: Colonel Vyse really did make the discovery of inscriptions – of the name of Pharoah Khufu, among others – within the Great Pyramid, a structure in which no writings had previously been found.
In the book, after the stuffy professor mentions “the quarryman’s inscription of Khufu’s name within the pyramid,” Daniel demonstrates that the inscription was a fraud. He shows that the writing contained a mistake, a misspelling in Khufu’s name – a mistake that an actual quarryman probably would have been killed for inscribing in a pharaoh’s resting-place. However, that mistake happened to match exactly the name of “Khufu” in a misprinted volume of ancient Egyptian history – a volume which Vyse was carrying on the expedition.
This may not be the same evidence that exists in reality, but nonetheless, many people do actually believe that Vyse’s “discovery” was a fake. So it was a neat tie-in of actual academia versus the cooked-up version in the movie – and at least I was rewarded, for plodding through a poorly-written novelization of a far superior film, by learning something new today. :flashes the “The More You Know” rainbow:

A *blip* of comparative religion. 29 Apr 2012

Posted by Kāmya in "Humour", Attributes, History, Names.
Tags: , , , , , , , , , , , , , , , , , , , , ,
5 comments

This EPIC POSTING OF EPICNESS format is not working for me anymore. Every time I open my own journal page, I feel like I’m approaching a dissertation defense and that I really should be better prepared before attempting to justify my ideas.

Also, I hate rambling about myself. Indra is actually interesting; I’m just some random person on the Internet. But today I tried to read my own blog, and it sounds like the perfectly programmed output that might be produced by information fed into a Vedabot.

So, I’m going to be trying something different:
a) Having a vague semblance of a personality, and
b) Writing small bits and pieces here and there, instead of going weeks without posts and then being intimidated by my own blog, which is just dumb.

Every once in a while, I consider the various pantheons of the world, and the many forms that Indra took in places outside of India. (Of course, it depends what historical dates you use for all of the ancient cultures, as to which God gave rise to which – but since I’m incredibly biased, and this is my blog, and I agree with Frawley’s “6,000-10,000 BCE, at least” dating for Rig Veda, I’m going to hold up my picture of Indra, yell “FIRST!” and move on.)

Earlier this week I was thinking about Egypt. Ah, ancient Egypt, my first great love-slash-major-obsession.
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Days and days again. 14 Apr 2012

Posted by Kāmya in Stories, Worship.
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2 comments

Too many days are passing between posts; I do not like this delay, but it teaches a valuable lesson in gentleness and patience, and learning to treasure the brief writing-times, although – or perhaps because – they are very few now. Today, I feel pleased to indulge one of those writing wishes, and also to share what I’ve been working on for the last week.

Months ago, I posted on this blog about festivals that were (or still are) sacred to Indra, but the writing was vague, the information scattered and unfocused, with a result that even I found useless and dull. So, I’ve gone back to that post, taking the time to update and improve it.

This list – http://maghavan.wordpress.com/2011/08/05/indra-calendar-modern/ – now contains all of the information I know about ways that Indra is celebrated in modern times. It is the “calendar” by which I honour him, and perhaps may offer an interesting tale or trivium to other readers.

I do plan to follow this entry with a second post on the subject, looking at ancient and/or obsolete festivals that were once widespread: to explore Indra’s popular worship with a historical perspective, instead of a purely devotional one. The research for this is nearly complete, needing only some coherent writing, getting all of my retroflex t’s dotted and my long a’s crossed (so to speak).

In the meantime, I hope that this first offering is worthy of his service.

Careful what I wish. 03 Apr 2012

Posted by Kāmya in "Humour".
11 comments

“So many techniques, all equally crass, to make the gods appear. And when they give in, what do you do? Extend the bowl: ‘Give us rains. Cattle. Sons. Wealth.’ As though one defined human beings by their wanting…That’s why when the moment comes I shall confront Indra in silence. For that, it is essential that one shed all human weakness. Be alone. Absolutely on one’s own to face that moment. Become a diamond. Unscratchable.”
–Girish Karnad, from play Agni Mattu Malé (a tale which you may recognise better as film Agnivarsha)

Lacking the dramatic and literary flair of Karnad’s prose, I nonetheless hesitate to ask the Divine for anything, with similar reasoning: He is there, and beautiful, and wondrous. Even the eyes that gaze with calm sweetness from his picture are a gift. What more shall I ask?

Yet studying requires money, and studying in India enough money to transplant myself abroad. So I asked, of the One who opens the way to freedom, let me earn the means for my studies. Help me find an opportunity; I will work hard if given the chance.

This was a month ago, and today I started a new job. I will be working two full-time positions, one to live here and now, one to save for a future existence there.

So, please bear with me in the next few weeks, as I struggle to adjust to this sudden boon! I will have to carve out “blog time” – somewhere between bedtime, bus time, and all of the new points of the clock that now demand my attention.

Jai Śrī Indra Deva!

Peek-tures. 26 Mar 2012

Posted by Kāmya in Images.
Tags: ,
2 comments

Thank goodness that a picture is supposedly worth a thousand words. I’ve been too tired to write this weekend, so I decided to work on the pictoral aspects of this blog and save myself the trouble of literary composition.

The “indra darśana” tab has been updated with more slideshow images and, best of all, the names and locations of five temples that – according to their websites – house actual murtis of Indra. There is even a photograph, from Gujarat, of the beautiful garlanded Deva in the Gāyatrī Mandir.

I have also finally located a gallery of photographs from Indra Jātrā, including three clear renderings of the Indra images displayed at that time. Please go here to see these lovely images from a fellow WordPress user.

I will post some thoughtful content soon, but for now, everyone please join me in looking at pretty shiny things and grinning!

Petal, pistil, petrichor. 18 Mar 2012

Posted by Kāmya in Thoughts, Tidbits.
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2 comments

Veda is never “proven” via chemistry or physics, but scripture and science are so far apart in the popular mind, it dazzles people when a researcher objectively demonstrates a spiritual concept. Yet our science against Veda is only the echo of a strong, true word. We hear the weak and dying sound, and begin to remember, like briefly stirring from a dream. This is why I look to Veda, and let slip away the school-learning that used to shape my thoughts.

Still, once in a while some piece of knowledge surfaces, and when I caught the faint fragrance of wet earth in the afternoon, it pulled a memory. The inimitable aroma that seeps up from dry ground at the rain. Mitti is the attar of this divine scent in India. The unusually poetic technical term is petrichor, stone ichor, nectar of earth.

In drought, plants secrete oils to slow growth, self-preservation as oils that soak into the soil. At the first touch of moisture, the volatile oils are released, reborn as a sort of territorial signal; they essentially clear a no-sprout zone, keeping other plants from invading the newly-enlivened earth. Beauty in the struggle for survival, like birdsongs reverberating from nests and branches. As if the growing things whisper, Not here, elsewhere while they soak up the precious drops. Petrichor as fast and feast, and war.

No laboratory can duplicate these astonishing connections. And science cannot recreate the wonder. And nothing “rain” scented ever smells right. But the intertwining of water and earth in Veda is always magical. I search, and read; the praise is of Soma, but the scent of rain seems twined in the words: We solicit from you, O Divine Waters, that pure, faultless, rain-shedding, sweet essence of the earth…

The rain, with its dark clouds and dazzling flashes, bathes the entire earth with its splendour.

I was thinking of this today while I walked, and found it vaguely interesting to remember war and rain together in the personality of Indra, and to consider the strange poetry in the earth warming with fragrance at the rain, like a delicate shiver of delight tinged with fear.

I lay my heart before the lord praised as Ambudeśvara, yet almost never can bring myself to ask for his most obvious gift. How could I begin to comprehend even a small part of the swirling, rushing, enmeshing embraces of winds and waters and warmth on this earth, much less ask for them, as if I perfectly understood the effects of that request? When even a single hint of scent in the rain brings such astonishment to this foolish mind?

I feel that whoever interpreted this verse (quoted as originating in Rig Veda I.6?) has either a different copy of the text than I do, or has more poetry within them than I have read in other translations. But it is beautiful, and suits my thoughts today.

“Nature’s beauty is an art of God.
Let us feel the touch of God’s invisible hands in everything beautiful.
By the first touch of His hand rivers throb and ripple.
When He smiles the sun shines, the moon glimmers, the stars twinkle, the flowers bloom.
By the first rays of the rising sun, the universe is stirred;
the shining gold is sprinkled on the smiling buds of rose;
the fragrant air is filled with sweet melodies of singing birds.”

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